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Between the Lines

Cover of Between the Lines

Between the Lines

In this delightful companion novel to Off the Page, #1 New York Times bestselling authors Jodi Picoult and her daughter and cowriter, Samantha van Leer, present the YA novel that started it all! Filled with romance, adventure, and humor, the magic jumps off the page (literally) in a story you’ll never forget.
What happens when happily ever after…isn’t?
Delilah is a bit of a loner who prefers spending her time in the school library with her head in a book—one book in particular. Between the Lines may be a fairy tale, but it feels real. Prince Oliver is brave, adventurous, and loving. He really speaks to Delilah.
And then one day Oliver actually speaks to her. Turns out, Oliver is more than a one-dimensional storybook prince. He’s a restless teen who feels trapped by his literary existence and hates that his entire life is predetermined. He’s sure there’s more for him out there in the real world, and Delilah might just be his key to freedom.
A romantic and charming story, this companion novel to Off the Page will make every reader believe in the fantastical power of fairy tales.
In this delightful companion novel to Off the Page, #1 New York Times bestselling authors Jodi Picoult and her daughter and cowriter, Samantha van Leer, present the YA novel that started it all! Filled with romance, adventure, and humor, the magic jumps off the page (literally) in a story you’ll never forget.
What happens when happily ever after…isn’t?
Delilah is a bit of a loner who prefers spending her time in the school library with her head in a book—one book in particular. Between the Lines may be a fairy tale, but it feels real. Prince Oliver is brave, adventurous, and loving. He really speaks to Delilah.
And then one day Oliver actually speaks to her. Turns out, Oliver is more than a one-dimensional storybook prince. He’s a restless teen who feels trapped by his literary existence and hates that his entire life is predetermined. He’s sure there’s more for him out there in the real world, and Delilah might just be his key to freedom.
A romantic and charming story, this companion novel to Off the Page will make every reader believe in the fantastical power of fairy tales.
Available formats-
  • Kindle Book
  • OverDrive Read
  • EPUB eBook
Languages:-
Copies-
  • Available:
    0
  • Library copies:
    1
Levels-
  • ATOS:
    4.9
  • Lexile:
    770
  • Interest Level:
    MG+
  • Text Difficulty:
    3

Recommended for you


Excerpts-
  • From the book

    OLIVER

    JUST SO YOU KNOW, WHEN THEY SAY "ONCE UPON a time"... they're lying.

    It's not once upon a time. It's not even twice upon a time. It's hundreds of times, over and over, every time someone opens up the pages of this dusty old book.

    "Oliver," my best friend says. "Checkmate."

    I follow Frump's gaze and stare down at the chessboard, which isn't really a chessboard at all. It's just squares scratched onto the sand of Everafter Beach, and a bunch of accommodating fairies who don't mind acting as pawns and bishops and queens. There isn't a chess set in the story, so we have to make do with what we've got, and of course we have to clean up all evidence when we're done, or else someone might assume that there is more to the story than what they know.

    I can't remember when I first realized that life, as I knew it, wasn't real. That this role I performed over and over was just that--a role. And that in order for me to play it, there had to be another party involved--namely one of those large, round, flat faces that blurred the sky above us every time the story began. The relationships you see on the page aren't always as they seem. When we're not acting our parts, we're all just free to go about our business. It's quite complicated, really. I'm Prince Oliver, but I'm not Prince Oliver. When the book is closed, I can stop pretending that I'm interested in Seraphima or that I'm fighting a dragon, and instead I can hang out with Frump or taste the concoctions Queen Maureen likes to dream up in the kitchen or take a dip in the ocean with the pirates, who are actually quite nice fellows. In other words, we all have lives outside the lives that we play when a Reader opens the book. For everyone else here, that knowledge is enough. They're happy repeating the story endlessly, and staying trapped onstage even when the Readers are gone. But me, I've always wondered. It stands to reason that if I have a life outside of this story, so do the Readers whose faces float above us. And they're not trapped inside the book. So where exactly are they? And what do they do when the book is closed?

    Once, a Reader--a very young one--knocked the book over and it fell open on a page that has no one but me written into it. For a full hour, I watched the Other-world go by. These giants stacked bricks made of wood, with letters written on their sides, creating monstrous buildings. They dug their hands into a deep table filled with the same sort of sand we have on Everafter Beach. They stood in front of easels, like the one Rapscullio likes to use when he paints, but these artists used a unique style--dipping their hands into the paint and smearing it across the paper in swirls of color. Finally, one of the Others, who looked to be as old as Queen Maureen, leaned forward and frowned. "Children! This is not how we treat books," she said, before shutting me out.

    When I told the others what I had seen, they just shrugged. Queen Maureen suggested I see Orville about my strange dreams and ask for a sleeping potion. Frump, who is my best friend both inside the story and out, believed me. "What difference does it make, Oliver?" he asked. "Why waste time and energy thinking about a place or a person you'll never be?" Immediately I regretted bringing it up. Frump wasn't always a dog--he was written into the story as Figgins, my best buddy from childhood, who was transformed by Rapscullio into a common hound. Because it's only a flashback of text, the only time he's ever read he's seen as...

About the Author-
  • Jodi Picoult received an AB in creative writing from Princeton and a master’s degree in education from Harvard. The recipient of the 2003 New England Book Award for her entire body of work, she is the author of twenty-one novels, including the #1 New York Times bestsellers House Rules, Handle With Care, Change of Heart, and My Sister’s Keeper, for which she received the American Library Association’s Margaret Alexander Edwards Award. She lives in New Hampshire with her husband and three children. Visit her website at JodiPicoult.com.
Reviews-
  • Publisher's Weekly

    April 23, 2012
    Prolific and bestselling author Picoult teams up with her teenage daughter to pen a clever YA romance about the magical relationship between a loner and her fictional “Prince Charming.” Imagine 15-year-old Delilah McPhee’s surprise when she starts to have a conversation with Prince Oliver, the hero of a fairy tale she adores. From Oliver she learns that characters in a story lead very different lives when a book is shut—in Oliver’s “reality,” the story’s villain is actually a butterfly aficionado, and Oliver has no interest in his betrothed, Seraphima. Elements from Picoult’s other novels—alternating character viewpoints with distinguishing fonts, snappy chapter endings—are present, and the story is peppered with pop culture references to The Hunger Games, the Kindle Fire, and the X-Men, as well as comic relief in the form of characters like a talking horse that thinks it has a weight problem. The reason given for Delilah’s obsession with the fairy tale—like her, Oliver grew up without a father—is weak, but that’s unlikely to trouble readers who will be swept up by the romantic premise. Ages 12–up. Agent: Laura Gross, Laura Gross Literary Agency.

Title Information+
  • Publisher
    EMILY BESTLER BOOKS/ATRIA/SIMON PULSE
  • Kindle Book
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Digital Rights Information+
  • Copyright Protection (DRM) required by the Publisher may be applied to this title to limit or prohibit printing or copying. File sharing or redistribution is prohibited. Your rights to access this material expire at the end of the lending period. Please see Important Notice about Copyrighted Materials for terms applicable to this content.

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Jodi Picoult
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